Free Film Programme Offers an Alternative View of India

 

Between now and October, Pavilion and Hyde Park Picture House are presenting Notes from Another India, a free programme of artists’ film and video in search of alternative representations of India.

Notes from Another India looks at representations of the city of Kolkata and Indian life in Britain in the 1980s, and asks questions about where we are and where we come from – both culturally and geographically.

The programme concludes with the work of leading contemporary Indian artist-filmmaker Shambhavi Kaul. Daughter of filmmaker Mani Kaul, her performative work is informed by a lifelong engagement with cinema in India, influenced by the rich history of western experimental films that have addressed ideas of place and landscape.

Wednesday 16 August, 6.30–8.30pm

Notes from Another India: Mark Lapore & Ruchir Joshi

Hyde Park Picture House

The first screening in the Notes From Another India series presents three perspectives on Kolkata. Ruchir Joshi’s film Tales From Planet Kolkata mocks the ways in which the city has been depicted by the western gaze of foreign filmmakers, whilst simultaneously paying homage to their work. Mark Lapore’s 16 mm films The Glass System and Kolkata confront the tangled relationship between ethnography and individual subjectivity as he observes the ebb and flow of humanity on the streets of Kolkata.

Tickets: Free (suggested donation £5). Book online at: http://pavilionleeds.eventbrite.com

 

Tuesday 26 September, 6.30–8.30pm

Notes from Another India: Sutapa Biswas & Pratibha Palmer

Hyde Park Picture House

(+ Sutapa Biswas & Griselda Pollock in conversation)

This screening brings together the work of Pratibha Palmer and Sutapa Biswas to reflect on the experiences and perceptions of Indian diaspora in the Britain in the 1980s. With a rare screening of Biswas’ 1984 work, Kali alongside Palmer’s films Memory Pictures,  a profile of the gay Indian photographer Sunil Gupta, and Sari Red, her visual poem made in memory of Kalbinder Kaur Hayre, a young Indian woman killed in 1985 in a racist attack in Britain. Followed by Sutapa Biswas in conversation with art historian Griselda Pollock.

Tickets: Free (suggested donation £5). Book online at: http://pavilionleeds.eventbrite.com

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Unique Radio/Theatre Collaboration, “Partition” Marks Defining Moment in India’s History

Vanessa Nuttall, Celia Hutchinson, Mez Galaria, Stefan Escreet, Balvinder Sopal, Darren Kuppan, Dominic Gately and Nick Ahad. Photography by Jacob Tomlinson

West Yorkshire Playhouse and BBC Radio Leeds have collaborated to present Partition, a unique radio broadcast and live performance marking the 70th anniversary of the division of India and creation of Pakistan.

This specially commissioned radio play, written by Leeds writer and established arts journalist Nick Ahad, explores the devastating legacy of a religious division which cost around a million lives.

Enacted from the perspective of a modern day couple, Partition explores how the history of the Indian sub-continent continues to tear families apart many years after the events of 1947. As Muslim Saima and Sikh Ranjit prepare for their wedding hate threatens to destroy their union. Will love or hate prevail?

Partition will be broadcast on BBC Radio Leeds (and a number of other BBC local radio stations) at midnight on 14/15 August, marking the exact time when the British partitioned India 70 years ago. It will then be performed live in the Playhouse’s Courtyard Theatre from 8 September.

Partition

 

 

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Gracefool Collective to Perform at Northern Connections at NSCD

 

 

Dance company Gracefool Collective returns to Riley Theatre at the Northern School of Contemporary Dance on 28th September for Northern Connections – a triple bill profiling up-and-coming choreographers.

Describing themselves as makers of ‘post-intellectual-pseudo-spiritual-feminist-comedy-dance for the modern day’ the four-woman company has been making waves on the Yorkshire dance scene and across the UK ever since they graduated from NSCD in 2013.

The group performed its original work ‘This Really Is Too Much’ recently at the Edinburgh Fringe, where they as part of the ‘Underbelly Untapped‘ season – a raucous, provocative and funny performance exploring the absurd realities of life as a young woman today.

Northern Connections, a professional development scheme for emerging dance artists, presents an opportunity for the Gracefools to create a new work that wrestles with the idea of ‘twosomeness’ or ‘coupling up’.

In addition, the Northern Connections showcase will feature the creative duo 70:30 Split, and choreographer Joseph Reay-Reid. Each will have just three weeks to create a new work. Audiences can expect playful physicality, sharp writing and arresting characters.

Northern Connections is at the Riley Theatre at NSCD on 28th September, 7pm. Tickets are available from 0113 219 3018 or online at rileytheatre.com

 

 

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Leeds College of Art Leads the Way in Student Satisfaction

 

Leeds College of Art is the highest ranked independent higher education arts institution in the Nation Student Survey for the second year running.

The National Student Survey (NSS), measures student satisfaction based on teaching, tutor support, feedback, and learning of final year students at education intuitions across the UK.

The survey results confirmed that 91% of final year students at Leeds College of Art reported overall satisfaction with the quality of their course, ranking higher than all UK specialist arts universities and all universities in Yorkshire. This NSS result is the highest student satisfaction rating Leeds College of Art has ever achieved.

The industry standard facilities at the College were also ranked highly, with 92% reporting satisfaction with the learning resources, including workshops, IT resources and the College library.

The NSS is a nationally recognised annual survey commissioned by the Higher Education Funding Council for England, giving final year undergraduate students an opportunity to provide anonymous feedback on what it has been like to study on their course.

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Chamber Concerts at Howard Assembly Room

Summer may only just be upon us but the Howard Assembly has already announced some outstanding chamber concerts on sale for its Autumn season. The treats on offer include modern and contemporary experimentation, emerging and world-renowned artists, Romantic and Classical masterpieces, the return of Leeds Lieder, and festive choral music for Christmas.

 

Gavin Bryars’ commission for Opera North and the Royal Shakespeare Company, Nothing Like the Sun, comes ‘home’ to Leeds for the first time on 25 October. Influenced by early music but unmistakably modern, this haunting, dramatic piece for chamber ensemble and voices weaves Bryars’ music through eight of Shakespeare’s most meditative sonnets. The composer himself leads an ensemble featuring tenor John Potter and cult Dublin singer-songwriter Gavin Friday.

Leila Josefowicz

Celebrated Canadian-American violinist Leila Josefowicz makes her Howard Assembly Room debut with her long-term musical partner John Novacek on 30 September, and a programme reflecting her reputation for insightful performances of canonical works coupled with passionate championing of new music. Marked by dark introspection and powerful emotion, the concert takes in Sibelius’ reflective Valse Triste, Prokofiev’s wildly beautiful Sonata in F minor and the mystical Calices by contemporary Finnish composer Kaija Saariaho.

One of the finest interpreters of Classical and Romantic repertoire, pianist Imogen Cooper makes another long-awaited venue debut (30 November) with a programme ranging from the classical poise of early Beethoven and the authority of Haydn’s C minor Piano Sonata, to the remarkable invention and emotional quality of Beethoven’s Piano Sonata No. 31. The concert also includes Darknesse Visible, Thomas Adès’ stunning “explosion” of a John Dowland lute song.

Imogen Cooper

Exotic, erotic and technically demanding, Olivier Messiaen’s Harawi takes the Tristan and Isolde myth, Andean love songs and the music of Debussy and Wagner among its inspirations. One of the most experienced Messiaen singers of her generation, Gweneth-Ann Rand will be joined by pianist Simon Lepper on 26 October for a rare performance of the 12-song cycle, with projections and surtitles. The award-winning British soprano has previously sung Harawi at the Messiaen centenary and the BBC Proms, and last year received outstanding reviews for her performance in 4.48 Psychosis for the Royal Opera House. Simon Lepper returns to the Howard Assembly Room following a rapturous reception for his concert with Christopher Purves earlier in the year.

Leeds Lieder’s partnership with Opera North continues with a debut from one of today’s foremost young song recitalists, Gramophone Young Artist of the Year 2016 Benjamin Appl. Having received the RPS Young Artist Award 2017, exceptional pianist and Director of Leeds Lieder Joseph Middleton returns to accompany the German baritone on the best-known of Schumann’s song cycles, Dichterliebe. Written during the composer’s separation from his beloved wife Clara, his settings of Heine’s poems chronicle a musical journey, from the most delicate descriptions of nature to heart-breaking cries of longing; from a joyful wedding dance to twelve giants casting a coffin into the sea. The programme also includes Beethoven’s only song cycle and three settings of Yeats.

As the year draws to a close, The Choir of Clare College Cambridge pay their first visit to the venue with a radiant festive concert. Plainsong chants sit alongside Renaissance masterpieces including Palestrina’s Surge, illuminare and Tallis’ sublime Videte miraculum, with motets and carols by Howells, Britten, Tavener, and John Rutter’s much-loved What sweeter music? The Howard Assembly Room’s Christmas chamber concerts have become something of a Leeds institution, with the venue’s atmospheric, neo-gothic interior decked with decorations, and early booking is recommended.

Tickets for all events at the Howard Assembly Room are available from the Box Office on 0844 848 2727 or online at howardassemblyroom.co.uk.

 

 

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Local Young Violinist Competes in Regional Championships

The eighth biennial Yorkshire and Northern Lincolnshire Regional Festivals Championships takes place at Carleton Community High School, Pontefract on Saturday 9th September from 10.30am – 4pm.

Performers from throughout the Region will be taking part in a bid to win the Championship titles and prizes for Speech and Drama, Dance and Music, both Vocal and Instrumental.  Each performer has already been a winner at their respective festival and has been nominated by that festival committee or an adjudicator.

Representing Rothwell Music Festival is Hannah Wakefield (17) from Roundhay who attends The Grammar School at Leeds. She will be playing the first movement of Mozart’s Concerto in A Major.

Hannah has been playing the violin from a young age and gained her ABRSM Diploma in violin performance in 2015. She also has a Grade 8 distinction in singing and clarinet, has played in the National Children’s Orchestra of Great Britain and sung in the National Youth Choir. She currently plays in the City of Leeds Youth Orchestra

The Competition will be run as a talent variety show. Tickets (£5) are available on the door, or can be reserved by phone on 01226 752576. Refreshments, including lunch, will be available throughout the day.

 

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A Brief history of Hunger Hills Woods

 

 

This small hilltop wood in Horsforth has a long geological history having been formed as part of a huge delta 250 million years ago. Ancient trees bordering the estuary eventually became coal seams and sand became hard sandstone used to build many of Horsforth’s buildings. During the last Ice Age 10000 years ago the area was covered with boulder clay brought down in the the melting glaciers, forming a dome on Hunger Hills which helped many native wild flowers to flourish on this acid soil.

 

 

 

This part of Horsforth was owned by the Stanhope family from Eccleshill Bradford as a result of the dissolution of the monasteries by Henry V111. They were early industrialists in iron, steel and nail manufacturing but Walter Spencer Stanhope was also an early environmentalist who helped create the wood we see today.

Back in the early 1700’s the hillside would have been an industrial landscape ravaged by mining and quarrying with 26 bell Pits in the West End and Hunger hills area plus a large quarry in the fields behind the wood.

The Stanhope family would have been able to see Hunger Hills from their home at Horsforth Hall and Walter replanted the hillside with 3000 saplings.

Whilst coal mining ended in the 1850’s, quarrying continued into the 1930’s by the Horsforth Ganister Co, owned by Frank Whitaker. They quarried sandstone, used to produce Ganister. This material was used to line furnaces & when mixed with Fireclay was able to withstand the high temperatures when smelting iron and steel.

This stone eventually ran out in the 1930’s when the business moved to Summerbridge in Nidderdale and the quarry was filled in and returned to agricultural use.

The name Hunger Hills came from the Norse word ‘ hangra’ meaning a barren slope, or ‘hanger’, a wooded slope and has nothing to do with the two men and a boy who were trapped in one of the mine shafts.

In 1947 the Stanhope family donated the wood to the people of Horsforth. The deed of gift protected the wood from development. In 1974 ownership passed to Leeds City Council & it is now part of Leeds Parks & Countryside dept who have a Stewardship Agreement with a lively & active Friends group.

Over the last 10 years the Friends have raised funds to surface paths,create a new perimeter path, install benches,bird boxes,sign posts & an Information viewing lectern. In addition the Friends have an Outreach programme to help schools learn about the woods & its flora & fauna as well as organising free annual events for the community such as a Bluebell Walk& Bat Watches, Treasure Hunt & Fungi Forage.

Further details & information about the Friends can be obtained from www.hungerhillswoods.org or Facebook page https://www.facebook.com/Friends-of-Hunger-Hills-Woods

Photos: Phil Munroe

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Dom Pipkin Brings The Big Easy Back to Leeds

 

Keyboard wizard Dom Pipkin returns to Leeds with his band ‘The Ikos’ this weekend to bring the blues, soul, funk and jazz of piano-driven New Orleans grooves. The group perform at The Domino Club, The Grand Arcade on Saturday 12 August.

The all-star combo, with playing credits ranging from Dr John, Laura Mvula, Paul Weller, Maceo Parker, Pee Wee Ellis, Ray Davies and David Byrne create a party wherever they go with their deep funky sound, with original material and vintage classics they conjure the spirit of the greats –  Fats Domino, Professor Longhair, The Meters, and many many more.

Among thier accolades is a ringing endorsement from no less an authority than Meters drummer and acknowledged godfather of New Orleans funk, Zigaboo Modeliste: “Dom brings the whole New Orleans thing to the UK.  So good!”

https://www.thedomino.co.uk/

 

 

 

 

 

 

 

 

 

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Open Air Theatre Company Heartbreak Productions Returns to Roundhay Park

Heartbreak Productions return to Roundhay Park this summer with a ten-day festival of open air theatre throughout August. Shows include the all-time classic family favourite The Secret Garden, and an original murder-mystery spoof, Murder on the Terrace. Renowned for their unique style, Heartbreak Productions tour each production with a small but multi-talented cast of actors drawn from across the country. They are joined this year by a talented team of directors too, including award-winning Dominic Waldron, Paul Chesterton, Kristoffer Huball and Adam Morley.

 

The Secret Garden: Saturday 5 – Sunday 6 August Adapted from the novel by Frances Hodgson Burnett, this classic promises entertainment for all the family.

Murder on the Terrace: Fri 11 – Sun 13 August Original murder mystery described as “… part Downton, part Agatha Christie. Lots of innuendo and stacks of fun”

 Northanger Abbey: Sat 19 – Sun 20 August A newly-commissioned adaptation of Jane Austen’s classic by Dani Carbery.

The Taming of the Shrew: Fri 25 – Sun 22 August. Heartbreak  stamp their imitable style on this Shakespeare classic about a controversial yet tender tale of love.

Further details about these can be found on their website – www.heartbreakproductions.co.uk.

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Yorkshire’s Learning Disability Theatre Company, Mind the Gap, Heads to Edinburgh Fringe

 

For artists and performers all over the world, the countdown is on to the opening of the Edinburgh Festival Fringe – the world’s largest arts festival that welcomes thousands of performances every summer – and for Bradford-based Mind the Gap, England’s largest learning disability theatre company, it is a particularly exciting time.

“The last time Mind the Gap took a production to The Fringe was 12 years ago,” says Joyce Nga Yu Lee, the creator and director of Mia which opens on August 10th at Edinburgh’s Summerhall. “I am thrilled that the piece we have all worked so hard on is to reach a larger and international audience.”

Performed by four learning disabled artists Mia explores the truths and myths about learning disability and parenthood in today’s society; it is a piece about humanity that aims to resonate with everybody with or without a disability.

I want to see an audience that isn’t made up of just people with a vested interest in those with learning disabilities,” says cast member JoAnne Haines. “I want to see people in the audience that might never have considered this issue.”

We have six performances a week,” says fellow cast member Alison Short. “It will be quite gruelling, not just because of the energy used in performing but also we have to get the show on and off the stage in just 15 minutes to make way for others. We’ll be doing all this and promoting ourselves with the festival; I’m both excited and nervous!

Mia originally toured studio venues around the UK in autumn last year receiving outstanding reviews but it has since been updated and has changed considerably in places.

“We use music, dance, live film, pre-recorded film and symbols to create an episodic piece of theatre,” concludes Joyce. “It is fast moving and raw, funny and bold – in short Mia is wild ride!

Mind the Gap present Mia at Edinburgh’s Summerhall Old Lab

from Tuesday 8th to Sunday 27th August

Performances are at 2.45pm from Tuesday to Sunday inclusive

Tickets are available from www.summerhall.co.uk

Mia will tour in autumn 2017 and spring 2018 with performances confirmed at Hull Truck Theatre, Hull, The Gulbenkian, Canterbury, and Square Chapel Arts Centre, Halifax

For more information on Mind the Gap visit www.mind-the-gap.org.uk

 

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